BBC Radio Podcasts from The Way I See It

The Way I See It

Alastair Sooke

Last edition of the series that opens MoMA's collection and challenges the way we see art.

David Henry Hwang on Martin Wong's Stanton near Forsyth Street

Screenwriter and playwright David Henry Hwang makes his choice from MoMA's collection.

Yves Behar and the IEC's Power Symbol

Swiss designer Yves Behar makes his choice from the MoMA collection.

Lady Ruth Rogers on Henri Rousseau's The Dream

Award-winning chef Ruth Rogers makes her choice from the MoMA collection.

Stanley Tucci and Giacometti's Head of a Man on a Rod

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

Isabella Boylston on Maya Deren and Talley Beatty

Isabella Boylston gives her view on Deren and Beatty's 1945 study of choreography.

Liz Diller on Marcel Duchamp's Network of Stoppages

Liz Diller offers her perspective on Marcel Duchamp's Network of Stoppages.

Orhan Pamuk on Taglioni's Jewel Casket by Joseph Cornell

Orhan Pamuk gives his view on Taglioni's Jewel Casket by Joseph Cornell.

Sarah Sze and Siddhartha Mukherjee on Louise Bourgeois's Quarantania, I

Sculptor Sarah Sze and oncologist Siddhartha Mukherjee discuss Bourgeois's Quarantania, I.

Mark Morris on Florine Stettheimer's Costume Design for Orphée

Stettheimer's Costume Design for Orphée is Mark Morris's choice of works from MoMA.

Zac Posen on Constantin Brancusi's Bird in Space

Fashion designer to Hollywood, Zac Posen, makes his choice from the MoMA collection.

Madeleine Thien on Vija Celmins’s Bikini

Booker-nominated author Madeleine Thien chooses Vija Celmins’s Bikini.

Richard Serra on Jackson Pollock

Sculptor Richard Serra reflects on his favourite work by Jackson Pollock.

Bryan Stevenson on Jacob Lawrence’s Migration Series

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

Fiona Shaw on Georgia O'Keeffe's Lake George, Coat and Red

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

The Director's Choice

MoMA's director Glenn Lowry chooses Dayanita Singh’s Museum of Chance.

Renee Fleming chooses Colors for a Large Wall

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

Hisham Matar with Man Sleeping Along the Seine

Writer Hisham Matar chooses Brassaï's photographic study of a man sleeping by the Seine.

Es Devlin on Felix Gonzalez-Torres's Perfect Lovers

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

Roxane Gay and Christ's Entry into Journalism

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

John Waters on Lee Lozano's Untitled 1963

American film director John Waters makes his selection from the MoMA collection.

Michael Bierut on Ed Ruscha's OOF

Graphic designer Michael Bierut selects a large blue and yellow painting of the word OOF.

Duro Olowu on William H Johnson's painting Children

Duro Olowu chooses a painting by William H Johnson from MoMA's collection

Margaret Cho and Lady Vengeance

What will stand-up comedian Margaret Cho see when she rewatches the film "Lady Vengeance"?

Steve Reich on Richard Serra’s Equal

Composer and godfather of Minimalism Steve Reich reflects on Richard Serra's work, "Equal"

Steven Pinker and Picasso

30 of the world's sharpest minds choose a work from MoMA's collection; how do they see it?

Neri Oxman and the Endless House

30 of the world's sharpest minds choose a work from MoMA's collection; how do they see it?

Jason Moran and Piet Mondrian

Jazz pianist and composer Jason Moran shares his view of Mondrian’s Broadway Boogie Woogie

Steve Martin and the Lonely Synchromists

30 of the world's sharpest minds chose a work from MoMA's collection - how do they see it?

Starry Night and Janna Levin

30 of the world's sharpest minds choose a work from MoMA's collection. How do they see it?

Welcome to The Way I See It

Creative thinkers pick an artwork from MoMA and explain how it thrills or inspires them.