David Owen Norris looks at why Bechstein Hall was forced to change it's name
Maria Margaronis probes the Archduke’s assassin, Bosnian Serb Gavrilo Princip's, legacy.
Emma Jane Kirby considers the idea of London presenting to the wider world in 1914.
Tom Service takes a litmus test of the classical music goings-on in London in 1914.
Jonathan Pryce reads a fictional postcard from London just before WW1.
Charles Emmerson on London, Elgar's Nimrod and the seeds of decline just beofre WW1.
Historian Charles Emmerson St. Petersburg and the power of the Romanov Tsars.
Historian Charles Emmerson on how Berlin was exciting and modern.
Historian Charles Emmerson on how Paris before WW1 might have felt.
Historian Charles Emmerson on how high tradition and modernity collide just before WW1.
Professor Roy Foster and Nick Cohen
Steve Rosenberg finds a link between 1914’s St. Petersburg and its counterpart of today.
Tom Service uncovers a world of startling sounds in Alexander Scriabin's final composition
Jonathan Pryce reads a fictional postcard set in the St. Petersburg Conservatoire.
Margaret Drabble and William Boyd discuss Robert Musil's The Man without Qualities.
AS Byatt, Neil Brand, Alexandra Harris and Philipp Blom choose artworks form the period.
Stephen Evans reminds us that the German capital on the eve of war was innovative.
Tom Service introduces Ferrucio Busoni’s Zwei Tanzstűcke Op. 30a.
Jonathan Pryce reads a fictional postcard from Berlin charting the music landscape.
Foreign Correspondent Hugh Schofield reimagines the French capital of Maurice Ravel.
Tom Service introduces Stravinsky's Three Japanese Lyrics, first performed in 1914.
Jonathan Pryce reads a fictional postcard from an enthusiastic concert goer in Paris.
Bethany Bell evokes both the public face of Austria-Hungary's capital.
Tom Service with Webern's Three Little Pieces for Cello and Piano Op.11.
Jonathan Pryce reads a fictional postcard set in Vienna just before the outbreak of WW1.
Writer Pat Barker is fascinated by the First World War. Here she selects music.
Part of Radio 3's Music on the Brink. Paul Farley journeys down France's sleepiest river.