Conductor and composer Esa-Pekka Salonen celebrates the music of Polish composer and...
Composer Matthew Shlomowitz makes the case for Austrian composer Bernhard Lang’s 2,...
Author and journalist Rob Young nominates French composer Eliane Radigue's Songs of of...
Hear and Now presenter Sara Mohr-Pietsch celebrates the music of German composer on...
Composer Julian Anderson singles out Partiels for orchestra, from French spectralist...
Composer John Woolrich nominates Stravinsky's last completed work with orchestra,...
Novelist and critic Philip Hensher makes the case for Per Norgard's Symphony No.
Critic and Hear and Now presenter Tom Service nominates American composer John Carny,...
Pianist Nicolas Hodges nominates Jean Barraque's Chant apres chant, one of just a of...
Sound artist Kaffe Matthews on Alvin Lucier’s I am sitting in a room and how it’s...
Critic and Hear and Now presenter Ivan Hewett nominates Hungarian composer Gyorgy in...
Singer and conductor Paul Hillier celebrates Terry Riley’s icon of musical and to of...
Composer and Hear and Now presenter Robert Worby singles out V of IV, an early work by...
Gavin Bryars's mould-breaking 1971 score Jesus' Blood Never Failed Me Yet is a work a...
Four Tet’s Kieran Hebden explains why Silver Apples of the Moon by the American out...
Cellist Frances-Marie Uitti celebrates the music of Giacinto Scelsi, the Italian from...
Pianist Pierre-Laurent Aimard champions the music of maverick German composer Helmut a...
Violinist Alexander Balanescu recounts his part in Michael Nyman's groundbreaking for...
Author Paul Griffiths singles out this early work for ensemble by Danish composer Hans...
The soprano Barbara Hannigan celebrates Claude Vivier’s profoundly moving work for...
Composer and writer Gerard McBurney nominates the austere and uncompromising Octet by...
Pianist Joanna MacGregor celebrates Harrison Birtwistle’s The Triumph of Time, an as...
Choreographer Siobhan Davies nominates White Man Sleeps by the South African-born and...
Gillian Moore champions George Benjamin’s early orchestral score At First Light, its...
Composer George Benjamin advocates the "exuberant, thrilling and virtuosic" orchestral...
Hollywood sound designer and film editor Walter Murch nominates Symphonie pour un seul...
Composer Nico Muhly nominates Philip Glass's Music in Twelve Parts, a large-scale set...
Writer and critic Paul Driver explains why Maxwell Davies’s 8 Songs For A Mad King a...
Violinist David Harrington celebrates George Crumb's groundbreaking 1970 work for - to...
Composer Anna Meredith nominates Gerald Barry's "bold and daring" Piano Quartet No.
Writer and musician David Toop celebrates Toru Takemitsu's soundtrack for Masaki 1964...
Theatre director Katie Mitchell describes her first encounter with the music of Luigi...
Jazz pianist Ethan Iverson nominates Milton Babbitt's Philomel for soprano and tape,...
Film director Barrie Gavin selects Jonathan Harvey's Mortuos Plango, Vivos Voco, an of...
Finnish conductor and music director of Ensemble InterContemporain Susanna Malkki pays...
Conductor Richard Bernas recalls his momentous first encounter with Berio's Sinfonia,...
Roxanna Panufnik nominates Arvo Part's Cantus In Memoriam Benjamin Britten, simple and...
Howard Skempton singles out Extensions 3 by the American composer Morton Feldman, a he...
Stephen Fry describes his delight and bewilderment at first hearing Conlon Nancarrow's...
Percussionist Steven Schick recalls how a chance meeting with Brian Ferneyhough led to...
Artist Tom Phillips on Howard Skempton's Lento for orchestra, a completely tonal piece...
Composer and former Battles frontman Tyondai Braxton nominates Poeme electronique by a...
Artist Tacita Dean on John Cage's legendary 4'33" and how it provided an inspiration...
Pianist and Scratch Orchestra member John Tilbury speaks up for The Great Learning by...
Mathematician Marcus du Sautoy explains how Iannis Xenakis uses the symmetry of a cube...
Dutch composer Michel van der Aa salutes compatriot Louis Andriessen's 1976 work for...
Sir Harrison Birtwistle singles out Pierre Boulez's 1950s cycle for voice and mixed a...
Novelist and poet Mark Haddon explains what it is about Elliott Carter's String No...
Film-maker Sophie Fiennes explains why she chose György Ligeti's Atmosphères for the...
Matthew Herbert, songwriter and electronic music producer, reflects on the continuing...